March 30, 2014

Love & Emotion - tribute band to Mink DeVille [B]

Love & Emotion is opgericht ter nagedachtenis van Willy DeVille. Deze Belgische groep is samengesteld uit ervaren muzikanten die, stuk voor stuk, houden van de muziek van Willy. Ze richten zich hoofdzakelijk op de periode van zijn band Mink DeVille, met hier en daar een uitstapje naar zijn solo-carrière. Op het repertoire staan o.a. de volgende nummers: Spanish Stroll, Demasiado Corazon, Steady Drivin’ Man, This Must Be The Night.

Love & Emotion is a Belgian DeVille tribute group with experienced musicians who are keeping the music of Willy alive. They focus mainly on the Mink DeVille period with sometimes a trip to his solo career. The setlist includes, among others, the following numbers: Spanish Stroll, Demasiado Corazon, Steady Drivin' Man, This must Be The Night and more.

The Band: Eddy Baker (vocals); Paul Verkoyen (guitar); Fonny T. (guitar); Danny Zels (bass); Robin Vermeulen (sax); Patrick Cuyvers (keyboards, accordeon); Leo Vandermeer (drums); Jen Hendrickx (vocals); Riet Hendrickx (vocals); De Franne (sounstechnician).

Upcoming gigs in 2014:
Za 19/04/2014: Wedelse Molen, Breugelweg 250, Overpelt België [21.00 u]
Do 01/05/2014: Tent Rozenberg, Rozenberg 115, Mol België [13.00 u]


Love & Emotion YouTube site

March 1, 2014

Torhout/Werchter festival posters in 1980 & 1982

As we've previously mentioned Mink DeVille played live at the Belgium Torhout/Werchter festivals in 1980 & 1982. Here the concert posters and some more footage.

Rock Torhout/ Rock Werchter 1980
Programme: Fischer-Z, Jo Lemaire & Flouze, Kevin Ayers, Mink DeVille, Steel Pulse (Torhout only), The Blues Band (Werchter only), The Kinks, The Specials.

Rock Torhout/ Rock Werchter 1982
Programme: Allez Allez, Jackson Browne, Mink DeVille, Talking Heads, The Members, The Steve Miller Band, Tom Tom Club, U2. [source: rockwerchter.be]

February 23, 2014

Mink DeVille at the Dutch Flora Theatre A'dam 1982

The Poster
Title: Flora theater Amsterdam 7-8-9 July starting 20:30 Mink de Ville Rough Trade (...) Mojo Concerts Read Muziekkrant Oor. Maker: Designer/Art Director: Mojo Concerts tagged: popular music. Dated: 1982-1983. Object: poster size: 1180 x 830 mm source: 82-03169 (poster), 150 years of Dutch advertising, advertising Arsenal. Copyright: for information: advertising Arsenal.

Mink DeVille
At the 80s Mink DeVille played the famous Dutch Flora theatre (club Flora Palace), Amstelstraat 26 (later extended with 24 and 28) Amsterdam. First stood on this spot Café Flora, Flora/concert hall/variety. Unfortunately, no pictures of this July 7/8/9th DeVille gigs (if you have 'em please let us know!).


[Mink DeVille during a performance in Sweden 1982]

The Theatre
After the fire in 1902, the theatre was rebuilt in 1903, and was named Flora theatre. Originally built as a stable (with upstairs apartment); Converted into theatre: (supposedly) 1893; Client: Anton Nöggerath. Opening as theatre: 1893; Remodeling: 1896-1897: remodeling and addition of two adjacent buildings (No. 24 and 28); placement of second corridor; 1900: renovation of the floor of the concert hall; Architect: 1900: J. Lenderink. Capacity: 100, 1000 (from 1896-1897). Balconies: 1 (After 1896-1897: two galleries). Scene Type: list stage. Kind of performances: Variety, revue, opera, operetta.


[photos © 70mm.nl]

In 1977 Flora was a movie theater and reopened the doors as the Flora Disney theatre. The decor was thematically, and there were only Walt Disney films on the big screen. The Flora theatre was converted into a nightclub in 1980 'Flora Palace' and in 1986 to the nightclub 'Be-Bop'. Manfred Langer established in 1989 in the former 'Flora Theatre' his disco iT. Initially a gay discotheque, but soon high-profile popular with a wider audience. At nr. 30/32 based in the former bank building Wertheim & Gomperts later on opened another disco The 'Soulkitchen', It was known for its good mix of funk, soul and disco classics from the 1960s and 1970s. The dance club Flora had its peak in the 90's with DJ Jan Novica, but closed its doors in 2002. In 2006 it is demolished and now there is a new gym located in the Amstelstreet. [source: theaterencyclopedie & wiki A'dam]


Men at the bar in the ruin of the Flora-theater in Amsterdam Netherlands, 1929. The bar was open once every 3 months, in order to maintain the license. Photographer: unknown [Source: SFA022005927, Het Leven, Spaarnestad Photo].


[Mud fighting in Flora Palace, formerly the Flora Theatre 1982].

January 21, 2014

Famous Willy DeVille pics - by David Arnoff...


- Confidence to kill -

Three nice shots by David Arnoff. Profile: Born in Cleveland, raised in L.A., lives in London. No felony convictions thus far.

Shot Sounds | Music & Melancholy - Collected.
More photographs by David Arnoff from the music scenes in Los Angeles, San Francisco, New York at: www.david-arnoff.com

No Arnoff but nice indeed: Willy 1975. Is it a pizza? Is it an Italian Shoe? Is it underwear? No, it's... CREEM! More pretty rock-star pics here.

January 3, 2014

Willy DeVille & Jan Akkerman 'See Ya' [2008]

December 27th 2013 I've been to a concert of Dutch guitarslinger Jan Akkerman (67). A concert with some friends of him, like saxophoneplayer Benjamin Herman, Dutch soulsinger Brown Hill & rapper Shockwave, rocksinger Bert Heerink (Vandenberg!), his daughter Laurie Akkerman (18) and another Dutch guitar legend Eelco Gelling (Cuby & the Blizzards, Golden Earring). You can read my gig-review (in Dutch) and see some great pictures by Arjan Vermeer here: Jan Akkerman & Friends.

But, the reason I write this is the following. At the time I was there I had to think back to one of the most extraordinary Willy DeVille concerts I've ever visited! It was February 14th, 2008, in a small town Harderwijk, the Netherlands. Dutch photographer Patricia Steur would present the portrait photo book 'See Ya Later' with photos of Willy DeVille. There were about 100 guests and it was rumored that Willy DeVille would be present (but you never know with Willy) and that he would give even a brief performance. And, he would be accompanied on guitar by the Dutch guitarist Jan Akkerman!

We were there early but Willy came in too late (as usual). With loud cheers from the audience, that for sure. But once inside Willy left the room immediately without playing one song. Much to the shock of the 100 attendees, his wife Nina and the organizers (including Gurrie of the Willy DeVille Int. fanclub). Nina and Gurrie went to get him back, and no one understood why Willy suddenly disappeared?! But, hey that's Willy; always full of surprises ;-) When the Guest Lady Manuela Kemp presented the book to Patricia Steur, Willy was of course also involved. As often with much hilarity and lots of fun.

But finally, there was also a mini-gig. Willy played a few classics on his acoustic guitar and he was accompanied by Kees Veerman (The Cats) on vocals and Jan Akkerman (Brainbox, Focus, solo) on guitar. Willy called him: "the best guitarplayer in the Netherlaaaands" and teased him a little bit. Jan Akkerman told us afterwards that he never had experienced such a weird gig. Yeah, that's Willy! It was an unforgettable evening! Click on the links to see some great shots from this event by Ton Pors and Jan van der Kolk.

The day after, Friday February 15th, Willy was noticeably fresher during the concert in Amsterdam. After guitarist of DeVille Band Mark Newman had warmed up the audience in Holland's most beautiful pop temple Paradiso with Americana and roots-rock songs from his latest album 'Must Be A Pony' the Willy DeVille band opened the show with an instrumental as usual. The vocal opening was So So Real from the latest album 'Pistola'. Only 3 other songs were played of that album, for the rest it became a sort of greatest hits show.

With a sparkling mix of blues, rock 'n roll, cajun, country and doowop, soul and latin the songs Spanish Stroll, Hey Joe, Demasiado Corazon, Italian Shoes, Cadilac Walk, Savoir Faire, Bacon Fat passed the revue. A great version of Venus of Avenue D was one of the highlights that night. Songs filled with a lot of Heart and Soul and romantic conviction and craving, such as the encore Let It Be Me. The audience went absolutely crazy. Unfortunately it was Willy his last show in Paradiso Amsterdam... but these great memories stay forever. [GvdH].

THE BAND - Willy DeVille: guitar, lead vocals - Darin Brown: piano & vocals - Mark Newman: guitar & vocals - Bob Curiano: bass & vocals - Boris Kinberg: percussion & growling - Shawn Murray: drums & vocals - Dorene and Yadonna Wise: backing vocals.

November 24, 2013

Famous Willy DeVille Pics - Hollywood, 1980

Willy DeVille of Mink Deville 1980. © Chris Walter [Chris Walter Rock Images]

Filename: m15006a.jpg
Archive: Mink DeVille - Willie DeVille
Credit: Chris Walter / Photofeatures
Source: Photofeatures International
Dimensions (300dpi): 2393x3000
Date: 1 Jun 1980
Location: Hollywood California
Copyright: Chris Walter.

October 20, 2013

30 years: Where Angels Fear to Tread (Mink DeVille album).

Where Angels Fear to Tread, issued in 1983, is the fifth album by Mink DeVille. The album’s title comes from the Johnny Mercer song “Fools Rush In (Where Angels Fear to Tread)”, not from the novel by that title written by E. M. Forster. It was the second album Mink DeVille recorded for Atlantic Records, and Atlantic brought in two in-house producers, Howard Albert and Ron Albert, to produce the album. For this album, Willy DeVille reached deeper into his Latin roots, even recording a salsa number, "Demasiado Corazon". A single, “Each Word’s a Beat of My Heart”, reached number 89 on the Billboard Hot 100 charts. Two percussionists from the Latin dance/disco band Foxy, Richie Puente and Joe Galdo, played on the album. A recording of "Stand by Me" was made at this session and released on a 7-inch single along with “Demasiado Corazon” and “Are You Lonely Tonight?” The album was recorded at the Criteria Recording Studios, Miami.

Reviews
Trouser Press said about the album, “This uncluttered and uncomplicated tribute to DeVille's chosen forebears — Sam Cooke, Phil Spector, the Drifters, Joe Tex, James Brown — also includes forays into Spanish Harlem and other wondrously nostalgic time warps. DeVille's songwriting and singing have returned to top strength, and the record burns with sincerity and warmth. Simply, elegantly excellent.”

Allmusic said about Where Angels Fear to Tread, “DeVille and his band were burning through the pages of rock and R&B history (there are a couple of doo wop- and New Orleans-flavored cuts as well) with raw swagger and astonishing musicianship. Why they didn't catch and George Thorogood did is a mystery that will be up to '80s historians to figure out.” Track Listing, overview and credits at AllMusic.

Boris Kinberg, a percussionist in The Mink DeVille Band, considered "Lilly's Daddy's Cadillac" one of the best songs Willy DeVille ever wrote. "It's a brilliant song. It’s a mini-film. In a three-minute song you have an hour and a half movie. It’s about drug deal gone bad."

Background singers Margaret Reynolds and Beverly Champion had sung with KC and the Sunshine Band and in 1985 would, under the name Margaret Reynolds and Girlfriends, record the Dubwise 12-inch single "Three Steps from True Love."

Willy DeVille recorded "The Moonlight Let Me Down" a second time in 1996 for a CD single. The single included a radio version and extended version of the song as well as "Ballad of the Hoodlum Priest" (from DeVille's Loup Garou)[source].

Track listing
[Unless otherwise noted, all songs by Willy DeVille]

“Each Word's a Beat of My Heart" - 3:24
“River of Tears” – 3:18
“Demasiado Corazon (Too Much Heart)” - 3:33
“Lilly's Daddy's Cadillac” - 2:52
“Around the Corner” (Carl Sigman, Ezio Leoni, Vito Pallazicini) - 2:30
“Pick Up the Pieces” - 3:20
“Love's Got a Hold on Me” - 4:33
“Keep Your Monkey Away from My Door” - 3:08
“Are You Lonely Tonight?” - 3:00
“The Moonlight Let Me Down” - 5:23

Personnel
Ricky Borgia – guitar, background vocals
The C Lord C – background vocals
Beverly Champion – background vocals
Louis Cortelezzi – alto sax, baritone sax, tenor sax
Willy DeVille – vocals, guitar, background vocals
Joe Galdo – drums, percussion
Kenny Margolis – piano, organ, accordion, synthesizer
Richie Puente – percussion
Margaret Reynolds – background vocals
Joey Vasta – bass guitar
Fred Wickstrom – percussion, timpani

Production
Ron Albert - producer, mixing
Howard Albert - producer, mixing
Jay Berman - photography
Willy DeVille - associate producer
Joseph Fontana - executive producer
Mike Fuller - mastering
Patrice Carroll Levinsohn - assistant producer
Louis Ragusa - executive producer


All photos copyrighted © by their respective owners.

"Fools rush in where angels fear to tread
And so I come to you, my love, my heart above my head."

- Johnny Mercer

September 17, 2013

Willy DeVille - Remembering The Late [Punk Globe]

By: Cyndi Ford [Punk Globe] Thanks to Phyllis.

“I was never really in it for the money,or the coke or the chicks, I was in it for the art...when you are a musician you have this passion in you and this hunger in you, not to be famous, but to be on stage to express yourself,” Willy DeVille.

As a musician, Willy DeVille combined many styles and genres of music together to make a sound that was uniquely his own. His vocals were profound in each song, and stood out as an instrument in itself, but when combined with his legendary slide and harmonica skills it was pure magic.

Rising from the ashes of what was known as the underground music scene of New York during the heyday of the club CBGB’s, Willy was discovered and had some minor success in America. But it was in Europe, that he found the recognition that he deserved.

Willy continued to evolve, and mixed some of the signature sounds from New Orleans to his style. He may do one Grito Mexicano in a song that sounds like it is straight out of East LA, and then in the next song, do a similar hoot that is unmistakably Cajun.

I have loved the music of Willy DeVille since the days of The Agora in Atlanta, when he played there on a Sunday night in the early 80‘s. His hit, “Spanish Stroll” is my favorite. He had another hit with a cover of the Ben E King song, “Stand by Me”. Willy and Jon Bon Jovi collaborated together on the classic tune “Save the Last Dance for Me.” I have followed him throughout the years, and was extremely saddened by his death on August 6, 2009.

Willy survived the addiction of heroine, and the complications that go along with that lifestyle, only to lose his life to pancreatic cancer. Willy was quoted as saying, "I have a theory. I know that I'll sell much more records when I'm dead. It isn't very pleasant, but I have to get used to this idea." This to me is heartbreaking, it is so important for us to support the musicians that bring joy to our lives, before it is too late.

I write this as a tribute to Willy DeVille, and to all musicians that have that hunger to express themselves on a stage. I have also asked a few people that knew Willy well to say a few words in his honor....

Steve Conte- current guitarist for Michael Monroe, former guitarist for New York Dolls, founder of Steve Conte and the Crazy Truth, and most importantly former guitarist for Willy DeVille.

Willy & Me...(Steve Conte)

If you lived in the New York Metropolitan area in the late 1970s you had to hear at least one Mink DeVille song on the radio. For me, it was Mixed Up, Shook Up Girl and it’s soulfulness oozed out of my speakers. Cut to decades later, I was a full-blown Willy fan and to give further credence to my “if-you- hang-around-this-town-long-enough” theory, one of my good friends, David Keys was playing bass with him. I told Dave if they ever needed a guitar player to call me. The first time I got the call I couldn’t do it but the 2nd time, the stars aligned, though I didn’t realize what I was getting myself into.

David knew I was a fan of Willy’s music. It was in the summer of 2003 when string virtuoso Freddie Koella left Willy’s band to play with Bob Dylan, he rang me up to do the European tour. He said that the gig called for mandolin, Tex-Mex nylon string, and slide guitar - but those were outside my area of expertise. When I told him that David really pushed me to join the tour saying, “Come on man, you can do it…” I realized I shouldn’t pass up the chance to play those great Mink DeVille songs with Willy so I rose to the occasion…and I’m glad that I did. I got to spend 3 months on tour with Willy, playing his wonderful music in the great cities of Europe; festivals and theaters in Italy, France, Germany, Austria, Switzerland, Holland & Belgium, staying in 5 star hotels, getting first class treatment and feeling how much people related to his music and soulful delivery. It was my first full EU tour and an eye-opener on many levels.

Replacing Freddie was not an easy task. He’s a monster musician who had been playing with Willy for 15 years. David’s advice to me was, “give Willy what he knows”, so I spent a month learning every riff Freddie played from Willy’s “Live In Italy” CD; trying to figure out the open tunings he used for slide, the positions he played in, etc. But once we got into rehearsals (and later on tour) I found out that Willy was not the most forthcoming guy with any kind of feedback or positive statements. And to make matters worse, on that tour he was in pretty bad shape having recently broken his hip in a car wreck and taking strong pain killers which he would chase down daily with bottles of good French & Italian wine.

Eventually, when playing the music onstage with Willy and the band I found out that it was best to just do what was natural, even if it isn’t “what the boss expects”. During the first half of that tour I was playing it a bit safe because I wanted to please the guy. Then some drama went down where people got fired and I decided – fuck it, if I was going to lose the gig I was at least going to go down playing like me. Starting with the very next show Willy began to take notice of the guitar playing coming from stage right. He started pulling me aside to give me compliments, “Steven, that was very good tonight…I’m proud of you” and “You’re a hell of a guitar player…”, statements that, coming from Willy DeVille, I did not take for granted.

I have loads of memories from the tour…one of my most cherished was the night that I was in the bus playing my album “Spitshine” (from Crown Jewels my band w/ brother John Conte) for David, percussionist Boris Kinberg and “the girls” – New Orleans singers Sweetie & Lisa Wise. Willy came in and asked, “Who’s singing?” (he had no idea it was me) and then continued with, “It’s one of them million dollar voices…” which knowing Willy, he meant as a bit of a jab to say, “it’s commercial, radio stuff”. But again, I took it as a compliment coming from him. Many of the things I learned playing with Willy will always be with me; knowing how to lay back behind one of the most soulful singers, being able to play the old blues and folk songs from his repertoire on slide, nylon string guiar and mandolin, and the ability to deal with chaos; switching gears at a moment’s notice to play a song on one instrument that I was supposed to play on another, changing of keys, adding and leaving out sections of songs… changes that can be at the lead singer’s discretion during a show. If it weren’t for that education I would never have been prepared for my future gigs with Eric Burdon or my position in the New York Dolls.

Cut to today – 10 years later. It’s especially poignant thinking of Willy now as I enjoy my 3 & 1/2 old son, who would not be in the world if I hadn’t met my wife on his tour. I remember the night I met her in 2003 at the Arsenal theater in Vlissingen, The Netherlands…it was the afternoon Willy got his left forearm tattooed. David and I helped him design it - and talked him out of a few things he might have regretted. He came to the show with his arm all bandaged up and blood leaking on his white shirt, trying to play guitar through the pain. I have to laugh because the next day we had off and it would’ve been so much easier to recover from the “surgery” then - but Willy was impulsive and insisted on getting the tattoo before the show. I guess that was Willy DeVille; he did things his way, with style and soul.

It was an honor being asked by David Keys & the other guys to participate in Willy’s yearly birthday tribute at BB King Club in NYC…it was cool to meet the original Mink DeVille guys; Ruben, Louie & Manfred and to see some of the guys I’ve known over the years who’ve been in the band like Tommy Price, Crispin Cioe, Ricky Borgia, etc. But the coolest thing was to get to sing lead on Willy’s classic “Can’t Do Without It” from Cabretta – with Yadonna (Lisa) Wise backing me up! (there’s a video of that somewhere on youtube). And of course it was bittersweet to see his lovely wife Nina again.

As time goes on I just try to keep on making the best and most soulful rock records that I can, keeping Willy’s spirit in my consciousness. The music press brought up Willy/Mink DeVille comparisons more than once in reviewing my last album Steve Conte & The Crazy Truth (Varese Saraband/Colosseum Records) which is an honor, though not intentional. I hope that the same kind of soul will shine through on my new solo album which is more acoustic based, much like the music that I played with Willy on tour. In the end I think that Willy & I both loved the same kinds of music; classic American songwriting of the Brill building era, old blues, New Orleans, early rock & roll and soul music. With those influences – how can ya go wrong?

Steve Conte www.steveconteandthecrazytruth.com
http://www.facebook.com/pages/Steve-Conte/342874415037
https://twitter.com/SteveConteNYC

I miss ya Willy...

Wolfgang Guerster- a friend and famous photographer from Germany, who graciously allowed me to use some of his photos for this article.

Willy DeVille - Heaven Stood silent Obituary for an extraordinary human being, musician and friend Willy DeVille, 25.08.1950 - 06.08.2009

I was totally shocked when I on Friday night by Willy `s death was told. Although I have known for some time of his serious illness and also knew that there will be no remedy for it, has made me his death still very concerned. In this glorious summer night, I sat down in the evening in the garden, reminding me of all the wonderful and unforgettable experiences with him and on the day when I'm Lisa and Willy first met.

It was in 1984 and it was at his concert in Munich. Ever since I met him more than 100 times and may experience live. I'm really happy that I can say that we are at that time became friends.

From the beginning he has touched me deeply with his music in my heart.

I could easily write a book full of all my experiences and memories with Willy and Lisa, with the musicians of the band, with the managers, the roadies and also with the many fans.

But I will tell you here in my obituary for Willy just a story that is still very important Willy gave me incredibly with his wonderful music and many memorable moments. Whether I saw him live on stage or backstage or in hotel met, whether at home or in car I heard his songs and not care if I called him from time to time in the States. I was always grateful to him for all that.

On March 17, 1994 Willy played with Seth Farber and Freddy Koella a blues concert in Herisau / Switzerland. I remember you back in the day. I visited him at the hotel, and Willy called the front desk and asked me to come to his room. There he played on his acoustic guitar in front of me a few songs, including fragments of new, as yet unreleased songs. What was that feeling of getting virtually a solo concert by one of his favorite musicians gift, I really can not describe with words.

In the evening he played inter alia then "Who's gonna shoe your pretty little foot" and it was the first time I heard this beautiful song live by Willy Blue. This experience inspired me somehow to Willy to write a tribute song.

At that time I sang in a band himself and was also the songwriter. During the long drive home at night, I had the idea for the tribute text. During the trip I stopped several times on highway parking and wrote the text.

I called the song Mr. Blues. The next evening I met up with my band and we rehearsed the song is that my new text. We recorded the song on a cassette, and on March 22, 1994, I drove to the next Willy concert to Zurich.

In the late afternoon I met Willy and Lisa at their hotel and gave Willy my tribute text and tape.

He read through the text at first, took me by the hand and walked with me out of the hotel. We got on the tour bus, he put up my tape and we listened together Mr. Blues. Then he got up, hugged me and thanked me for the great gift. He was sooo happy that I called him Mr. Blues, because it was his biggest musical wish and dream, yes, named with the greats of the blues in the same breath to be.

I shot over all the years, tens of thousands of photos of Willy and he has always been pleased with the photos when they showed him on the next tour or have sent to him in the States.

But this tribute text made him really happy, so I will not forget this very special day for me, never again.

August 31, 2013

Paolo Caruso played percussion w/ Mink DeVille at "Live at Montreux 1982"

A German DeVille fan wanted to know who the percussion player was on Mink DeVille's 'Stand By Me' and 'Slow Drain' (From "Live at Montreux 1982"). Mink DeVille guitarist at that time, Paul James himself, gave us the answer: "it was Paolo Caruso. He also introduced Willy, off stage, on mike thru the PA, at the beginning and at the end of the show for the encore. He was the drum tech and played conga drums on a couple songs. he played on 'Slow Drain' also". - Cheers! Paul.


[vid: Eagle Rock]

Paolo Caruso, not to be confused with with Paul Caruso (1956-2006) who played with Jimi Hendrix, began self-taught with Afro-Cuban and Brazilian percussion rhythms and instruments. He later took specialized courses from the New York Drummers Collective, studying with Frankie Malabe (Peter Erkine group) and Cyro Baptista (David Byrne, Paul Simon). He has participated in various tours in Italy and abroad with the band of singer-songwriter Luca Carboni. He participated in "Festival del Ritmo e delle Percussioni", playing with drummers Daniele Tedeschi (Vasco Rossi) and Walter Calloni (Lucio Battisti, PFM). He has played and worked with singer Willy DeVille, English group Urban Cookies Collective, Frontera, Funky Company, Sambahia, Mario Lavezzi, Stadio, Daniele Fossati, Gang, Alberto Solfrini, Nomadi, Paolo Rossi, Tosca, Vinicio Capossela, Vinx, Airto Moreira, Bob Moses. [source: cantodiscanto.com]. Paolo Caruso on MySpace.


[photo: afroeira.com]

If you want to know more about Paul James read: Paul James is a real musician's, musician. Or read this nice interview with Paul James at SMALL TOWN TORONTO.


[photo: pauljamesband.com]